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Can You Hear Me

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Editorial Reviews

Product Description

Can You Hear Me is Patrick Bradley s third solo release. Bringing Bradley s music to life are top flight musicians such as saxophonists Eric Marienthal (Chick Corea Elektric Band) and Dave Koz, trumpeter Rick Braun, guitarists Michael Thompson and Dwight Sills, bassist Jimmy Haslip (formerly of the Yellowjackets) and drummer Gary Novak. At the helm of it all is prolific producer/composer/keyboardist Lorber who Bradley swears fits his musicality like a glove. Collaborating on their second album together, Bradley and Lorber composed and arranged all ten songs on Can You Hear Me. Bradley nimbly emotes graceful harmonies on piano, adds depth and texture via Moog synthesizer embellishments and uncorks feverish organ blasts with reckless abandon when the mood to pontificate strikes. A variety of jazz visages fusion, contemporary and smooth - emerge from tracks rooted in Ramp;B that reflect prisms of funk, soul and blues with the deep-pocketed grooves stitched by bassist Jimmy Haslip and drummer Gary Novak. David Mann s fiery horns and crisp horn arrangements fatten the sound on Blue Skies, Daylight, For Her and Voyage with hitman Rick Braun captured blowing away on trumpet on a pair of cuts ( Blue Skies and Voyage ) and Eric Marienthal chiming in some swinging sax on a few numbers ( Blue Skies, Shoreline and Catalan ). Lorber s keyboard and Dwight Sills guitar riff rhythmically throughout the session with Sills and guitarist Michael Thompson dousing kerosene before slash and burn solos. Both Bradley and Lorber solo on the blistering progressive rock thrill ride North Of Evermore. The first radio single Can You Hear Me featuring Dave Koz on soprano sax is a beautiful melody written for Bradley s mother who passed away in 2008. I ve been playing my whole life and I m trying to be heard in this noisy world as a musician. My mom passed before hearing my last album ( Under The Sun ) including the song I wrote for my (late) father ( Tears From The Sky ). I wonder if she can hear me and my music. I wrote Can You Hear Me with her in mind, but it is also a question I ask God as well, said Bradley, a man of faith who hails from Southern California. The original album title was All In (the first song on the record) because I wanted to dig deeper than ever before. The whole purpose of the album was to make sure that I got all of my musical chops into it and I think we did it.

Review

Contemporary jazz pianist Patrick Bradley takes his fans on a sonic adventure through the harmonies, rhythms, melodies and spirituality of his brand new recording titled Can You Hear Me. Produced by jazz icon Jeff Lorber, the ten songs on the album emote graceful harmonies, textures and colors that were inspired by an assortment of events, places and people. On this, his third album, Patrick Bradley is accompanied by a constellation of friends including the award-winning saxophonist Dave Koz, trumpeter Rick Braun, saxophonist Eric Marienthal, bassist Jimmy Haslip, drummer Gary Novak, guitarists Dwight Sills and Michael Thomas and David Mann on horns. Patrick Bradley, Jeff Lorber and David Mann provided arrangements. Prisms of funk, soul and blues are reflected in several songs but the primary focus of each song is what Patrick Bradley offers his fans from within the contemporary jazz musical spectrum. He s All In, as he digs deeper into the stories behind these songs to connect his music to his audience. Heartfelt emotions permeate For Her, while fiery horn and wind arrangements that feature the stellar trumpeting of Rick Braun and swing saxophone of Eric Marienthal build his sound on Blue Skies which celebrates the goodness of God. The diversity of this recording also reveals Bradley s growth as a musician and collaborator. On the title track, Can You Hear Me, he and Dave Koz convey their plaintive piano lullaby and serene soprano sax presence with heartfelt musicality. This prayerful song was written by Bradley in memory of his mother and to God as well. These two musicians have collaborated several times over the years. Jeff Lorber, Dwight Sills and Michael Thompson add their dazzling techniques throughout the session with great soloing. Among the more memorable solos are those coming from Patrick Bradley and Jeff Lorber on North of Evermore a song Bradley composed about an imaginary place referring to Heaven where the universe is filled with creativity and beauty. Each of the their genre-defying improvisations make this song truly exceptional. Although Patrick Bradley began his career as a member of a rock band, his new personal musical direction has taken his fans to exciting places. His songwriting is more reflective and inspired while his choice of guest musicians have also given his sound a more accessible feeling. Voyage is dedicated to his late father-in-law and is an adventurous collaboration with Jeff Lorber on keyboards while Catalan, was inspired by the lovely city of Barcelona, Spain. --AXS Paula Edelstein

This high-voltage fusion-laden production from pianist/keyboardist/composer Patrick Bradley is of the usual high quality you can expect from the artist. Coming full-steam ahead after his last release three years ago, Under The Sun (a super-powered, emotional, and impactful release to say the very least), this latest endeavor, Can You Hear Me, packs a serious wallop and lands another blow for fusionists everywhere. You can listen to a sample of or purchase the title track now. The full album is scheduled for release on Sept. 23. Produced by the iconic fusion giant Jeff Lorber, this album is loaded with top-tier contributors like Lorber, Jimmy Haslip, Dave Koz, Eric Marienthal, Rick Braun, Dwight Sills, and David Mann. The album sails off into the heavens almost immediately with the funky mid-tempo and self-descriptive track All In. It never looks back as it grooves through such tracks as the high-steppin Blue Skies, the intensely fusion-hot North of Evermore, the rocked-out Sierra, the gentle title track, the funky finale featuring the voice of the late Carlos Vidal, and every track I ve not named here. One of the most compelling aspects of this album is that, before hearing it, I wondered if Bradley could produce a more emotionally, stratospherically charged, magnificently composed, produced, and performed album than Under The Sun. Frankly, it still remains my absolute favorite for so many reasons, not the least of which is how well he connected with me and vice versa considering his motivation the connection he d had with his late dad and his mom who also passed before the release of that CD. His love, devotion, sorrow, and spiritual drive and inspiration to continue in celebration of them were undeniable in that recording. That resonated with me on such a personal level. Because of that, I have a special love for that album, but I must admit that, judging Can You Hear Me on its own merits and the continuing display of love as he dedicates a track to his mom and the entire album to the power of God s love, it is yet another moving and impactful recording. He elaborates on the motivation behind a few of the tracks inside the CD cover. Be sure to read that. This project is heads and shoulders above any cookie cutter run-of-the-mill smooth jazz production today. However, I might add that I m also very happy to hear so many artists now venturing in that direction of innovativeness. Bradley has another gem that should easily climb the charts. The album asks Can You Hear Me, and the answer is a categorically resounding Loud and Clear! Ronald Jackson --Smooth Jazz Ride Ronald Jackson

Can You Hear Me

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